How Paintings Evolve

"Family and Friends"

Step one of painting

This painting, "Family and Friends", started with free and loose conte crayon markings.  Then I applied gesso randomly, using a palette knife.  The top photo is the finished painting, and the lower photo is step one.  This painting was as much a mystery to me, as to others.  Every step of the way, I had no idea how it would evolve, until about half way through, when I could see a mountain side, with rocks and decided to add some people at the top of the mountain.  The gesso marks helped me decide where to put them.  At this point, I stopped the painting, and got out my pencil, and made a value design sketch, something that I am passionate about.  Usually, I start with this, but this time, it was fun to start a painting with no preconceived ideas, and let the painting tell me the direction that it wanted to go.  "Family and Friends" just won a merit award at the Minnesota Watercolor Society Fall Exhibition.  I am teaching a workshop in my home studio on Oct. 4 - 6th on how to come up with ideas for abstracts.  There are still 2 openings, if anyone is interested.

Another Bird Painting

Home, Sweet Home
This was my demonstration painting for the home studio workshop for the Charcoal Pour technique.  This painting is lots more busy than my last one.  Which one do you like better?  The students did fabulous paintings, and loved the process of the charcoal pour.  I'm really excited to paint lots more birds!

Funky Bird, using charcoal powder



"Dressed to the Nines"

This painting started with a charcoal pour. This process is discussed in the Virginia Cobb book, Discovering the Inner Eye, Experiments in Watermedia.   It is available for $150, unframed.  Image size:  11" x 11".  I love the texture that the charcoal creates.  Then I added fun by collaging the feathers, using all kinds of busy collage papers.   My home studio workshop went fantastic.  By limiting the students to only 10, we all got to know each other so well, and there was lots of individual help.  Their paintings were so beautiful! I'm definitely painting lots more birds in the future.  They are so fun, when they are whimsical!

Creating texture with Charcoal Powder, Birch Trees

This painting, Roots and Rocks, #1, is image size 11" x 15".   I'm preparing for my next home studio workshop, "Graphite Pours to Create Texture".  This painting started using charcoal powder and then pouring a big bucket of water on the paper!  This process is explained in Virginia Cobb's book, Discovering the Inner Eye, Experiments in Watermedia .  I love textures and I find that starting with texture on the paper, leads to inspiration for completing the painting.  It was fun to go back to traditional painting for a change.  But tomorrow, it's back to abstracts!

Moving from Traditional to Abstraction!

"Master of the Day"

I painted this while visiting my parents last week.  Mom and I love to paint together, and it's one of the few times that she paints anymore.  We had such a great time!  I'm teaching in Alexandria, MN tomorrow through Friday, and the workshop is "Starting Traditionally, Moving to Abstraction".  One of the first things that I emphasize is to establish the light pathway. There is collage here also, which is my favorite way to paint.  The collage inspires me to create similar shapes, and also to continue in that color scheme.  Since I was raised on a ranch in Montana, this painting brings back happy memories of my childhood.

Cleaning the studio can be a GOOD thing!

"At the Beach"

Every now and then, my studio gets so messy that I'm FORCED to stop painting and start cleaning.  All my students know that I own 2 of everything, so that I don't have to waste time looking for whatever is missing.  But when I can't find either screwdriver, or ruler, or ATG tape, or WHATEVER..... it becomes mandatory that I clean out my studio.  I've been working on this for several days now, asking myself every time where would be the perfect spot to store certain things. I moved tables, and sitting areas, and shelving.  I'm trying to have stations.  For instance, all my card making crafty things would go in one corner, and the acrylics would go in another, the collage papers (wow, do I ever have LOTS of collage papers!!) would go in another!  My biggest fear is that I will lose something, because it won't be in it's normal spot.  Anyway, this painting, "At the Beach" had been missing for several months, and it is a favorite of mine!  And I found it behind lots of mat boards that were in a corner.  I'm so happy!  It's a little like Christmas, when I keep finding things.  This painting is only 6" x 6", but I love the connection of light patterns, and I did it in only 30 minutes, thereby keeping it fresh.  I had wanted to do a huge one of this, but wonder if I'll ever do it.  I had watched the Don Andrews DVD  before doing this.  He works on an easel, letting the paint run together, and the colors are kept very fresh in this approach. I recommend him highly as an instructor.

Finished Painting, "Evening at the Mansion"

"Evening at the Mansion"

This was my demonstration for the workshop, held on Kiawah Island, South Carolina.  It is size 10" x 10".  Based on my color study (see my post from 4/19/2013), this painting was pretty easy to do.  Adding the collage made for exciting textures.  I'm really tickled with the way that this painting turned out, and it sold at the workshop!  Now, my intention is to do another rendition of this that is image size 22" x 30", which will be acrylic and collage or possibly all acrylic.  I had such a good time with this group of 15 ladies, who meet each year in April on Kiawah Island.  It's absolutely beautiful there!  Lots of partying, painting, eating, and laughing!  We all really connected!   

Color Studies, good design

"Luring Music"

Only a few days till I teach a design workshop in Kiawah Island, South Carolina.  One of the lessons involves the students looking through magazines and cropping the photos down to a 1 inch square.  That simplifies the shapes, big time!  This color study (size 4" x 4") was done, using Tombow markers.  I love that they have two ends; one is fine marker, and the other is a brush.  Also, they don't smell, and work very much like watercolors, where I work in layers, etc.  This color study started from a photo of a dining room table and chairs.  How crazy is that?  Below is my 2 value sketch of the photo.  My steady rule (that I really believe in) is to connect the light pathway.  I can always adjust it later, but in the beginning of every painting, I have a light pathway. I will post the painting that I do from this color study after the workshop.

Where do ideas come from?

"Springboard for ideas"

Recently, I gave a demonstration for a local watercolor group; my topic was how I get my ideas for abstract paintings.  The idea for this 30 minute sketch actually came from a handmade card that I recently made for a good friend.  I've had painting friends sometimes tell me that I shouldn't waste my time making handmade cards.  Each one does indeed take about 1 hour and 30 minutes to make, but I always get ideas for paintings or discover interesting new color combinations when I allow myself to "play".  It's refreshing to me when I don't have to think about design, color dominance, etc, when I'm making a card. I used scraps from old paintings to start with, and just added black marker and brads.   Although, I have to say that when I did this 30 minute sketch, which was based on the card pictured below, I did remember to focus on design, color dominance, zinger colors, and center of interest.  Watch future posts, because this 30 minute study will turn in to a real painting very soon!



Handmade card which folds inward from both directions.



Metallic Paintings

"Metallic Leaf"

I'm preparing for a workshop that I will be teaching near Charleston, South Carolina, on Kiawah Island.  One of the days, we will be doing different metallic effects.  I used grommets, embossing powder, rubber stamps, metallic ink pads, and gold liner pens in this painting.  I hadn't done one of these for at least a year, so it was fun refreshing my memory as to the many effects of metal.  To start with, I used an old painting (see below) and built up a light pathway.  Have you heard me say that before?  If you've been in my classes, you definitely have heard about the light pathway.  It's key to leading the viewer's eye through the painting.  This painting is image 6" x 7", and is available for $95, matted.

Old painting that I started with for this project.