Showing posts with label abstract people paintings. Show all posts
Showing posts with label abstract people paintings. Show all posts

Wednesday, June 17, 2020

Free preview of my newest acrylic video!

More Exciting news!! Mark your calendar for this Thursday, June 18 , at 3:00 Eastern Time (2:00 Central Time zone) when Streamline Art Videos Facebook page wil be featuring part of my new acrylic video Karen Knutson: Fun with Acrylics!
We'll be broadcasting @ 3pm ET from the Streamline Art Video Facebook
page (
https://www.facebook.com/StreamlineArtVideo/
). I will be on hand to answer questions in the chat line. There is a great discount if you order the video on that day!


Tuesday, March 19, 2019

Being Prepared- the secret to success!

"Stepping into the Light",    Image 15" x 22"
acrylic on paper.    $1200 framed
I'm the last one to preach about being organized and prepared, but as I continue my journey as a professional artist, I find that my most successful times always are when I'm prepared.  Today, I printed out a calendar of the upcoming months and marked the deadlines of upcoming shows, because I missed a couple of important show that I had wanted to enter!  UGH!!!  So, I keep trying to be more organized.
Today, Dick and I went down to Carney's, an Irish Pub in downtown Venice to properly celebrate St. Patrick's Day.  I told him that I thought we should be early so that we could get a good table and listen to Irish music while having a Reuben and a green margarita.  Good plan, right? Well.....there was a car show in the main parking lot, so we had to park many blocks away.  Then we arrived at 11:10, and they said to eat inside, we would need to pay a $10 per person cover charge.  I thought, no problem, it's worth it.  Got sat down and asked the waiter when the music would start and it was at 2:00!  So, we enjoyed our lunch, without live music, like I'd hoped, and then left knowing we had just paid an extra $20 for nothing!  So, going forward, we will call ahead and find out all the details!  On a good note, we now have 2 plastic green top hats and some green beads for our grandkids to play with.  :)
The painting above was well thought out.  I did 2 different value sketches and worked out the problems on those.  Below is the one that I decided to go with.  These types of paintings develop stories as they go along.  This one is about the challenges in life.  If you are having one of those challenges, get help, but most importantly, do it for YOURSELF.  Until you realize that you matter, no amount of friends or family will make the difference.  You matter and you are loved!



Sunday, January 27, 2019

Tricks to break through a painter's block


Wire drawing (7" x 10"). "The Hikers"
This is the sketch that I used for a reference for a pure watercolor painting.   I hadn't done a pure watercolor for a year, so it didn't surprise me when I failed at the first attempt.  I'm starting to really love acrylics, but the deadline for the Transparent Watercolor Society show is coming up, and since I'm a lifetime member, it doesn't cost me anything to try to be juried in each year.  I do have my signature membership, but it's still such a great challenge to try to get in!  So, here I am, trying to remember how I used to get such glowing colors.  Here's what I did to get out of my slump.
  1. Go back to what you know.  Do whatever you used to do that was so easy and foolproof.  For me, it is little abbeys.  You can look back at earlier blogs to see them.  Just put a search in for Little Abbeys. I love them because they remind me of the way that I should be painting all of my paintings.  Starting at your center of interest with bright colors, working towards the edges.  Saving your whites for sparkle.  Weaving a unifying color from the center of interest towards the edges.  Lastly, staging your center of interest with a darkest dark and then changing to a less dark color as you approach the edges.  Keep the edges simple and keep the whitest white near the center of interest.  Those are my rules for Little Abbeys (small abstract collages). (Look back to June 13, 2015 for directions for little abbeys.)
  2. Use limited colors
  3. Use limited shapes
  4. Think cool or warm as the dominant washes and then add pops of the opposite color later within the light pathway.
  5. Trust your value sketch and keep the light pathway connected.
I'm not going to post my failure, but below are my 2 small paintings that I did AFTER I went through the above rules. Now, I think I'm ready to do the big quarter sheet painting next.  These 2 paintings are 7" x 10".

Too many small shapes, but interesting colors
Good design but I miss the bright colors. 

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