Plein Air Painting Tips

 

"Spearfish Creek"   5" x 7" watercolor
Available for $75, matted to 8" x 10".

Lately, I've had many students asking for design help with their paintings.  Especially when I Plein Air paint, the first thing that I do is to find the lights in the scene and then find a way to connect them.  I knew in the above painting that my center of interest was the strong light hitting the lime green tree mass.  I started there with my light pathway.  Then I exaggerated the lights hitting the water, so that those lights would lead up to the trees.  The sky is the other light value. I shortened the background trees so that I could have a light sky showing.   This week, I plan to do many different versions of the below photo and see if I can make the light pathway even more interesting.  I'd love it if you would join me. Just make sure that your lights connect.  Notice the black and white that checks up on my values of my painting.  

Black and white to show my values.                                                       Original photo

Plein Air Painting Tips

 

"Plein Air in Excelsior"   Watercolor,   11" x 15"   $195

Since the pandemic, I have been embracing Plein Air painting (painting outdoors on location) so that I can meet artist friends at a safe social distance.  Yesterday was a perfect day, and I set up on a corner, ready to tackle perspective!  Here's my tips about Plein Air painting.  Always take a photo from your painting position right away.  That way, if the shadows change, you can refer to it.  Also, when I got home, I printed off the photo, enlarged the house to be the size of my image on the painting, and traced it.  That way, I could "check" on myself to see how well I drew the image.  I actually did pretty good, except the the width of the windows were a little too wide, which doesn't matter in the finished painting.  The angle of the windows was spot on!  Yay! I usually draw the subject with pencil, come back and add my "wire drawing" lines with a permanent marker and then figure out where my light pathway will be.  See below to check out how my lights are connected throughout the painting.  The below image is how far I got on location, and spent about 30 minutes finishing it in my studio.  

(Work in Progress)